Lighthouse of Alexandria

The Lighthouse of Alexandria, also known as the Pharos of Alexandria, was a tower built between 280 and 247 BC on the island of Pharos at Alexandria, Egypt to guide sailors into the harbour at night. With a height variously estimated at between 120–140 m (390–460 ft), it was for many centuries among the tallest man-made structures, and was one of the Seven Wonders of the Ancient World.

Constructed from large blocks of light-coloured stone, the tower was made up of three stages: a lower square section with a central core, a middle octagonal section, and, at the top, a circular section. At its apex was positioned a mirror which reflected sunlight during the day; a fire was lit at night. Extant Roman coins struck by the Alexandrian mint show that a statue of a triton was positioned on each of the building's four corners. A statue of Poseidon stood atop the tower during the Roman period. The Pharos' masonry blocks were interlocked, sealed together using molten lead, to withstand the pounding of the waves.

The fullest description of the lighthouse comes from the Arab traveller Abou Haggag Youssef Ibn el-Andaloussi, who visited the structure in 1165 AD:

The Pharos rises at the end of the island. The building is square, about 8.5 metres (28 ft) each side. The sea surrounds the Pharos except on the east and south sides. This platform measures, along its sides, from the tip, down to the foot of the Pharos walls, 6.5 metres (21 ft) in height. However, on the sea side, it is larger because of the construction and is steeply inclined like the side of a mountain. As the height of the platform increases towards the walls of the Pharos its width narrows until it arrives at the measurements above. ... The doorway to the Pharos is high up. A ramp about 183 metres (600 ft) long used to lead up to it. This ramp rests on a series of curved arches; my companion got beneath one of the arches and stretched out his arms but he was not able to reach the sides. There are 16 of these arches, each gradually getting higher until the doorway is reached, the last one being especially high.

The Lighthouse of Alexandria

Three-dimensional reconstruction based on a comprehensive 2006 study

Mosaic Ancient Lighthouse of Alexandria in Olbia, Libya

The Pharos of Abusir, an ancient funerary monument thought to be modelled after the Pharos at Alexandria.

 

Scale Replica constructed in 2005 at the Window of the World Cultural Park, in Shenzhen, Guangdong, China

Colossus of Rhodes

The Colossus of Rhodes was a statue of the Greek god Helios, erected in the city of Rhodes on the Greek island of Rhodes by Chares of Lindos between 292 and 280 BC. It is considered one of the Seven Wonders of the Ancient World. Before its destruction, the Colossus of Rhodes stood over 30 meters (107 ft) high, making it one of the tallest statues of the ancient world.

Alexander the Great died at the early age of 32 in 323 BC without having had time to put into place any plans for his succession. Fighting broke out among his generals, the Diadochi, with four of them eventually dividing up much of his empire in the Mediterranean area. During the fighting, Rhodes had sided with Ptolemy, and when Ptolemy eventually took control of Egypt, Rhodes and Ptolemaic Egypt formed an alliance which controlled much of the trade in the eastern Mediterranean.

Antigonus I Monophthalmus was upset by this turn of events. In 305 BC he had his son Demetrius Poliorcetes, also a general, invade Rhodes with an army of 40,000; however, the city was well defended, and Demetrius—whose name "Poliorcetes" signifies the "besieger of cities"—had to start construction of a number of massive siege towers in order to gain access to the walls. The first was mounted on six ships, but these capsized in a storm before they could be used. He tried again with a larger, land-based tower named Helepolis, but the Rhodian defenders stopped this by flooding the land in front of the walls so that the rolling tower could not move.

In 304 BC a relief force of ships sent by Ptolemy arrived, and Demetrius's army abandoned the siege, leaving most of their siege equipment. To celebrate their victory, the Rhodians sold the equipment left behind for 300 talents and decided to use the money to build a colossal statue of their patron god, Helios. Construction was left to the direction of Chares, a native of Lindos in Rhodes, who had been involved with large-scale statues before. His teacher, the sculptor Lysippos, had constructed a 22 meter (70 ft) high bronze statue of Zeus at Tarentum.

Drawing of Colossus of Rhodes, illustrated in the Grolier Society's 1911 Book of Knowledge..

 

Colossus of Rhodes, imagined in a 16th-century engraving by Martin Heemskerck

The Colossus of Rhodes depicted in 1880.

Mausoleum of Halicarnassus

The Mausoleum at Halicarnassus or Tomb of Mausolus was a tomb built between 353 and 350 BC at Halicarnassus (present Bodrum, Turkey) for Mausolus, a satrap in the Persian Empire, and Artemisia II of Caria, his wife and sister. The structure was designed by the Greek architects Satyros and Pythis. It stood approximately 45 m (148 ft) in height, and each of the four sides was adorned with sculptural reliefs created by each one of four Greek sculptors — Leochares, Bryaxis, Scopas of Paros and Timotheus. The finished structure was considered to be such an aesthetic triumph that Antipater of Sidon identified it as one of his Seven Wonders of the Ancient World.Mausolus decided to build a new capital; a city as safe from capture as it was magnificent to be seen. He chose the city of Halicarnassus. If Mausolus' ships blocked a small channel, they could keep all enemy warships out. He started to make of Halicarnassus a capital fit for a warrior prince. His workmen deepened the city's harbor and used the dragged sand to make protecting breakwaters in front of the channel. On land they paved streets and squares, and built houses for ordinary citizens. And on one side of the harbor they built a massive fortified palace for Mausolus, positioned to have clear views out to sea and inland to the hills — places from where enemies could attack.

On land, the workmen also built walls and watchtowers, a Greek–style theatre and a temple to Ares — the Greek god of war. Artemisia and Mausolus spent huge amounts of tax money to embellish the city. They commissioned statues, temples and buildings of gleaming marble. In the center of the city Artemisia planned to place a resting place for her body, and her husband's, after their death. It would be a tomb that would forever show how rich they were. In 353 BC Mausolus died, leaving Artemisia broken-hearted. It was the custom in Caria for rulers to be siblings; such incestuous marriages kept the power and the wealth in the family. As a tribute to him, she decided to build him the most splendid tomb, a structure so famous that Mausolus's name is now the eponym for all stately tombs, in the word mausoleum. The construction was also so beautiful and unique it became one of the Seven Wonders of the Ancient World.

Soon after construction of the tomb started, Artemisia found herself in a crisis. Rhodes, a Greek island at the Aegean Sea, had been conquered by her and Mausolus. When the Rhodians heard about her husband's death, they rebelled and sent a fleet of ships to capture the city of Halicarnassus. Knowing that the Rhodian fleet was on the way, Artemisia hid her own ships at a secret location at the east end of the city's harbor. After troops from the Rhodian fleet disembarked to attack, Artemisia's fleet made a surprise raid, captured the Rhodian fleet and towed it out to sea. Artemisia put her own soldiers on the invading ships and sailed them back to Rhodes. Fooled into thinking that the returning ships were their own victorious navy, the Rhodians failed to put up a defense and the city was easily captured, quelling the rebellion.

Artemisia lived for only two years after the death of her husband. The urns with their ashes were placed in the yet unfinished tomb. As a form of sacrifice ritual the bodies of a large number of dead animals were placed on the stairs leading to the tomb, and then the stairs were filled with stones and rubble, sealing the access. According to the historian Pliny the Elder, the craftsmen decided to stay and finish the work after the death of their patron "considering that it was at once a memorial of his own fame and of the sculptor's art."

Fanciful interpretation of the Mausoleum, from a 1572 engraving by Marten Heemskerk

Scale model of the Mausoleum at Miniatürk, Istanbul.

 

The Mausoleum site in ruins, as it is today

 

This lion is among the few free-standing sculptures from the Mausoleum at the British Museum.

 

The design of the Shrine of Remembrance in Melbourne was inspired by that of the Mausoleum.

 

The Masonic House of the Temple of the Scottish Rite, Washington, DC

Temple of Arternis

The Temple of Artemis, also known less precisely as Temple of Diana, was a Greek temple dedicated to a goddess Greeks identified as Artemis that was completed, in its most famous phase, around 550 BC at Ephesus. Though the monument was one of the Seven Wonders of the Ancient World, only foundations and sculptural fragments of the temple remain. There were previous temples on its site, where evidence of a sanctuary dates as early as the Bronze Age. The whole temple was made of marble except for the roof.

The temple antedated the Ionic immigration by many years. Callimachus, in his Hymn to Artemis, attributed the origin of the temenos at Ephesus to the Amazons, whose worship he imagines already centered upon an image. In the seventh century the old temple was destroyed by a flood. The construction of the "new" temple, which was to become known as one of the wonders of the ancient world, began around 550 BC. It was a 120-year project, initially designed and built by the Cretan architect Chersiphron and his son Metagenes, at the expense of Croesus of Lydia.

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Model of Temple of Artemis, Miniatürk Park, Istanbul, Turkey.

Synthesizing Artemis of Ephesus: an 18th-century engraving of a Roman marble copy of a Greek replica of a lost Geometric period xoanon.

Traditional many-breasted interpretation in a 16th-century fountain of Diana Efesina, Villa d'Este

The Lady of Ephesus, 1st century AD (Museum of Efes, Turkey)

The Temple of Artemis, as imagined in this hand-coloured engraving by Martin Heemskerck (1498 - 1574)

 

Drum from the base of a column from the fourth-century rebuilding (British Museum)

The site of the temple today.

Statue of Zeus at Olympia

The seated statue, some 12 meters (43 feet) tall, occupied half of the width of the aisle of the temple built to house it. "It seems that if Zeus were to stand up," the geographer Strabo noted early in the first century BC, "he would unroof the temple." The Zeus was a chryselephantine sculpture, made of ivory and gold-plated bronze. No copy in marble or bronze has survived, though there are recognizable but approximate versions on coins of nearby Elis and on Roman coins and engraved gems. A very detailed description of the sculpture and its throne was recorded by the traveler Pausanias, in the second century AD. The sculpture was wreathed with shoots of olive worked in gold and seated on a magnificent throne of cedarwood, inlaid with ivory, gold, ebony and precious stones. In Zeus' right hand there was a small statue of crowned Nike, goddess of victory, also chryselephantine, and in his left hand, a sceptre inlaid with gold, on which an eagle perched. Plutarch, in his Life of the Roman general Aemilius Paulus, records that the victor over Macedon, when he beheld the statue, “was moved to his soul, as if he had seen the god in person,” while the first century AD Greek orator Dio Chrysostom declared that a single glimpse of the statue would make a man forget all his earthly troubles.

Roman Seated Zeus, marble and bronze (restored), following the type established by Phidias 

The date of the statue, in the third quarter of the fifth century BC, long a subject of debate, was confirmed archaeologically by the rediscovery and excavation of Phidias' workshop.

According to a legend, when Phidias was asked what inspired him—whether he climbed Mount Olympus to see Zeus, or whether Zeus came down from Olympus so that Pheidias could see him—the artist answered that he portrayed Zeus according to Book One, verses 528 – 530 of Homer's Iliad.

Hanging Gardens of Babylon

The Hanging Gardens of Babylon are considered to be one of the original Seven Wonders of the Ancient World. They were built in the ancient city-state of Babylon, near present-day Al Hillah, Babil, in Iraq. They are sometimes called the Hanging Gardens of Semiramis (in reference to the legendary Queen Semiramis).

The gardens were supposedly built by the Babylonian king Nebuchadnezzar II around 600 BC. He is reported to have constructed the gardens to please his homesick wife, Amytis of Media, who longed for the trees and fragrant plants of her homeland Persia. The gardens were destroyed by several earthquakes after the second century BC.

The lush Hanging Gardens are extensively documented by Greek historians such as Strabo and Diodorus Siculus. Through the ages, the location may have been confused with gardens that existed at Nimrud, since tablets from there clearly show gardens. Writings on these tablets describe the possible use of something similar to an Archimedes screw as a process of raising the water to the required height. Nebuchadnezzar II also used massive slabs of stone, which was unheard of in Babylon, to prevent the water from eroding the ground.

a copy of a bass relief from the reign of Sennacherib , depicting royal gardens thought similar to the hanging gardens of babylon.

Gardens of Semiramis, 20th century interpretation

Scriptores Rerum Alexandrii Magni

The Great Pyramid of Giza

The Great Pyramid of Giza (also called the Pyramid of Khufu and the Pyramid of Cheops) is the oldest and largest of the three pyramids in the Giza Necropolis bordering what is now El Giza, Egypt. It is the oldest of the Seven Wonders of the Ancient World, and the only one to remain largely intact. It is believed the pyramid was built as a tomb for fourth dynasty Egyptian Pharaoh Khufu (Cheops in Greek) and constructed over a 20-year period concluding around 2560 BC. Initially at 146.5 metres (480.6 ft), the Great Pyramid was the tallest man-made structure in the world for over 3,800 years, the longest period of time ever held for such a record. Originally, the Great Pyramid was covered by casing stones that formed a smooth outer surface; what is seen today is the underlying core structure. Some of the casing stones that once covered the structure can still be seen around the base. There have been varying scientific and alternative theories about the Great Pyramid's construction techniques. Most accepted construction hypotheses are based on the idea that it was built by moving huge stones from a quarry and dragging and lifting them into place.

There are three known chambers inside the Great Pyramid. The lowest chamber is cut into the bedrock upon which the pyramid was built and was unfinished. The so-called Queen's Chamber and King's Chamber are higher up within the pyramid structure. The Great Pyramid of Giza is the only pyramid in Egypt known to contain both ascending and descending passages. The main part of the Giza complex is a setting of buildings that included two mortuary temples in honor of Khufu (one close to the pyramid and one near the Nile), three smaller pyramids for Khufu's wives, an even smaller "satellite" pyramid, a raised causeway connecting the two temples, and small mastaba tombs surrounding the pyramid for nobles.

Great Pyramid of Giza from a 19th century stereopticon card photo

casing stone

Diagram of the interior structures of the Great Pyramid. The inner line indicates the pyramid's present profile, the outer line indicates the original profile.

The Grand Gallery of the Great Pyramid of Giza

The entrance of the Pyramid

Map of Giza pyramid complex

Group photo of Australian 11th Battalion soldiers on the Great Pyramid in 1915.

 

Aerial photography, taken from Eduard Spelterini's balloon on November 21, 1904